Live-Metal.Net
 
   
 

MUTINY WITHIN
‘Mutiny Within’ (Roadrunner)

Review by Greg Maki
Buy Mutiny Within here


Once upon a time, it was acceptable to be a singer in metal. Bruce Dickinson and a little band called Iron Maiden have done fairly well for themselves. How about Judas Priest? Rob Halford isn’t the “Metal God” for nothing. Even in Metallica’s early days—the only days many so-called Metallica fans will accept—James Hetfield at least tried to sing.

So why in 2010 is a metal band that opts for melody and “clean vocals” that a listener can understand and sing along to rather than the incomprehensible, guttural, vocal-chord-annihilating growling and shrieking immediately dismissed by a large portion of the metal community? Would a young Maiden, Priest or Metallica induce a similar reaction today?

Let’s look at Mutiny Within (not that I am comparing them to those legends) as a test case. In a completely unscientific survey of online reviews of their self-titled debut, I found roughly half reject the band outright, not taking into account the quality of the singing, but simply because singing is the primary vocal approach, as if the only reason to have melody in a song is to shamelessly seek radio play. The remaining reviews range from positive to positively giddy with excitement and enthusiasm. I fall into the latter category.

Chris Clancy, who relocated from England to New Jersey to join Mutiny Within, is a powerful, dynamic new voice in metal. He doesn’t use all clean singing all the time, but it is his forte and it includes his mid-range comfort zone and an occasional high-pitched wail. He also has in his arsenal a hardcore-style growl and a heavier singing style that incorporates some of the growl to create a harder edge. He does each exceptionally well and varies his attack enough to keep listeners on their toes. A star is born.

Musically, the band is a monster. You can use American bands Trivium, Killswitch Engage and All That Remains as a starting point, but then take into account Mutiny Within’s origin as a Children of Bodom cover band. Thus, the European death and power metal influences in the guitar wizardry of Brandon Jacobs and Dan Bage and Andrew Stavola’s keyboards. So they’re a lot like those American bands but with more technically proficient playing. And keyboards. And better singing.

Though there is not a single weak song in this batch of 11 tunes, highlights include “Awake,” “Lethean” and “Suffocate.”

Did I mention how good this album is? If someone writes or tries to tell you Mutiny Within is metalcore, don’t buy it. The bar has been set for metal in 2010.