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SEPULTURA CHAOS A.D. REVISITED
One can make the argument that any of the Max Cavalera-fronted Sepultura releases (1984-1996) are now heralded as classics. One can make the argument that any of the Max Cavalera-fronted SEPULTURA releases (1984-1996) are now heralded as classics. Beneath the Remains (1989) was the Brazilian band's first major breakthrough, a lethal combination of raw and primitive thrash and death metal. Arise (1991) was more straightforward death metal—faster, heavier and even more bleak. But 1993's Chaos A.D. is the band's pinnacle album of their career.

   
MEGADETH'S RUST IN PEACE REVISITED
It was 1990. Even after three superb thrash metal records, vocalist/guitarist Dave Mustaine and his band, MEGADETH, were overshadowed by his former band, METALLICA. Not for long. On Sept. 24, 1990, Rust in Peace was released and the decades long debate had started: Who is better, METALLICA or MEGADETH? The thrash metal masterpiece cemented MEGADETH in metal history and has withstood the test of time nearly 20 years later ... With Mustaine's ongoing struggles with substance abuse supposedly behind him, he assembled the now classic lineup (lasting until 1998) of Mustaine-Ellefson-Friedman-Menza, a lineup that tops the lists of most-wanted metal reunions today.
   
TRAPPED UNDER ICE: BALTIMORE CITY HARDCORE
Signed to Reaper Records, TRAPPED UNDER ICE's new album, Secrets of the World drops August 4, 2009. T.U.I.'s music melds old-school hardcore with modern, colossal breakdowns. They have a huge local following that gave the band the biggest response during the 10 for $10 hardcore's stop in Baltimore, Md. But before T.U.I. took the stage, Live-Metal.net caught up with the boys. See what we found out about the band by checking out the feature beyond the break.
   
MÖTLEY CRÜE: BACK FROM THE START
MÖTLEY CRÜE, 'the fab four' synonymous with the bad-boy glam rock of the '80s. There's been Behind the Musics, the best-selling book, The Dirt, thousands of live shows played for millions of fans, millions of records sold, and possibly more sex, drugs and rock 'n roll than any band that's ever graced this planet. But what about the music? Let's not lose sight of what's important. Live-Metal.net's Greg Maki looks back over every MÖTLEY CRÜE studio album, reflecting and critiquing some of the most popular and classic metal albums ever released.
   
NAILBOMB'S POINT BLANK REVISITED
With the birth of THE CAVALERA CONSPIRACY, I figured this was the best time to introduce the new school of metal fans to a sideproject that came to be in the mid-'90s and has reached cult status in the metal world. In 1994, SEPULTURA's Max Cavalera and Alex Newport of the grunge-metal band FUDGE TUNNEL formed NAILBOMB and released the industrial-punk-metal juggernaut Point Blank (Roadrunner Records). The metal world has never recovered.
   
DREAM THEATER'S SCENES FROM A MEMORY REVISITED
The story of the album begins seven years before its 1999 release. Images and Words, the record that put DREAM THEATER on the map, featured a song with an intriguing title: “Metropolis—Part 1: ‘The Miracle and the Sleeper.’” The nine-and-a-half-minute opus became a fan favorite and live staple, and led to a question that plagued the band for years: Where is part two? The problem was that they had added the “Part 1” tag as a goof. When they originally wrote and recorded it, there was no grand plan for a continuation.

 

   
FAITH NO MORE'S THE REAL THING REVISITED
It was 1989, and for many of us, the music video "Epic" was our introduction to FAITH NO MORE. These guys were clearly a bunch of weirdos, but that song and video were infectious as hell. You have this singer in high-top sneakers and funky, bright-colored '80s clothes, a strange looking guitarist with nerdy glasses, and keyboards. And let's not forget the infamous flopping fish at the end of the video, an image burned into the minds of millions of people. What was this band? Rap? Rock? Metal? Elements of each are in the song. I wasn't sure what to think at first, but something drove me and many others to purchase the album.
   
MACHINE HEAD'S BURN MY EYES REVISITED
It was 1994, back when there wasn’t any easy access to new music and no peer-to-peer downloading. We had to go out and buy our CDs the old-fashioned, every now and then on nothing more than impulse and a hunch. My friend and I were doing our thing on the weekend: record shopping, shootin’ the shit and finding things to do, when he came across this disc on sale at Tower Records for about  $10. “MACHINE HEAD, are you sure man?” I asked. “Why the hell not?” he replied. The album cover looked cool enough and a sticker proudly proclaimed something like, “The heaviest debut release ever, from this new Bay area band!” ...
   
GUNS N' ROSES: CHINESE DEMOCRACY UNLEASHED
The wait is over... Spending millions, employing a small army of musicians, producers and other collaborators, and recording in more than a dozen studios, the disc sounds like Axl Rose spent every day of the last 15 years working on it. But is it any good? What are other musicians saying about the album? Find out here.
   
GETTING REAQUAINTED WITH GORGOROTH
Labeled as “true Norwegian black metal,” GORGOROTH's popularity and name in recent years is arguably at its peak. Unfortunately, the music doesn't have as much to do with it as the band's legal problems, their now infamous and controversial Satanic show in Kraków, Poland , the imprisonment of vocalist Gaahl and the ongoing band-split controversy ...
   
MARDUK: THE FIFTEEN YEAR PLAGUE
To celebrate the band's 15-year existence, MARDUK's four releases have been re-released in 2007 with bonus material via Regain Records, along with a live album, Warschau, featuring 17 tracks from a show in Warsaw, Poland in 2005. This burns a brand on their long and blasphemous musical career, satisfies their cult following and reintroduces MARDUK to the ever growing populace of black metal fans.
   
CARCASS: KEEP ON ROTTING
CARCASS is perhaps one of the most innovative and influential bands. Lead by the shrieking vocals of Jeff Walker, shredding guitars courtesy of Bill Steer and Michael Amott, and the blasting rhythm of drummer Ken Owen, CARCASS invented and defined two genres of metal that still have relevance today.
   
DANZIG: THE KILLER WOLF
To many, DANZIG is best known for the hit “Mother,” which garnered major mainstream success in the '90s. You can still hear it on rock radio today. For any real fan, this is just a needle in the haystack compared to DANZIG's important career in both punk rock and heavy metal. The following tribute "calls on the dark" and pays homage to the "Brand New God," Glenn Danzig, who will forever be the "Blackest of the Black."