Posts Tagged ‘Chaos A.D.’

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Max Cavalera

For 30 years, Max Cavalera has given us metal in all shapes and forms. From the thrash and death metal of early Sepultura records Morbid Visions (1986), Beneath the Remains (1989) and Arise (1991), to the groove metal of Chaos A.D. (1993), to even nu-metal on Roots (1996). Then with Soulfly, he gave listeners a tribal metal soundscape with albums like Primitive (2000) and Prophecy (2004), all the way to extreme metal on Enslaved (2012), while Savages (2013) was a potpourri of all things rock and metal. And now with Soulfly’s new album, Archangel (Aug. 14, 2015, Nuclear Blast Entertainment), he’s gone to Biblical proportions—literally.

Inspired by The Old Testament, which Max describes as “bloody and brutal and perfect for metal,” Archangel is yet another different direction for Soulfly, though still a metal one. And that’s the common denominator with the body of Max’s work: metal. Max lives for metal. Not only does he play metal, but he’s a huge fan of it, both old and new. As I’ve written before, it’s like he is a prophet sent here by the metal gods. He wants to play metal forever, he shows no signs of slowing down and his spirit for metal will never die. His legacy now stands at an astonishing 21 studio albums between Sepultura (six), Nailbomb (one), Soulfly (10), Cavalera Conspiracy (three) and Killer Be Killed (one).

Days before Soulfly was about to hit the road with Soilwork, Decapitated and Shattered Sun for a U.S. tour (view tour dates), we talked with Max at length about Archangel and its Biblical inspiration, his albums standing the test of time and … “Maxfest?” (more…)

Derrick Green: "The mediator between old and new"

Derrick Green: “The mediator between old and new”

Want to feel old? Derrick Green has been the vocalist of legendary Brazilian metal band Sepultura for 16 years and released seven albums. That’s five years longer than Max Cavalera’s tenure as vocalist of the band (1985-1996), and one more album. I remember picking up my first death/thrash metal album in 1989, which just happened to be the cassette tape of Beneath the Remains. You think that sounds old? Chaos A.D. is 20 years old, and Roots is 17.

My point is, maybe it’s time the metal community as a whole accepts Green as Sepultura’s frontman–maybe it’s way past time. (more…)

"Point Blank" with Max Cavalera

“Point Blank” with Max Cavalera

First, a little background: I grew up with Sepultura. Beneath the Remains was the first true thrash/death metal album I owned. Then came Arise, and the title came to make perfect sense, as a new metal tribe had risen. Chaos A.D. and the tour that followed changed my life and my expectations of all metal that would come after it. Roots then helped change metal forever. Soulfly will never be the classic Sepultura I grew up on, but it’s damn close. Of course, at the center of it all is Max Cavalera, one of metal’s most influential and well-known figures. An idol or role-model? Certainly not, but when all is said and done, he will stand alongside the metal greats.

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Sepultura "Roar back" with 'Kairos'

Sepultura “Roar back” with ‘Kairos’

After interviewing former Sepultura vocalist Max Cavalera in 2009 and now the man who has been successfully carrying on the band’s legacy—guitarist Andreas Kisser—perhaps my life is complete. OK, I hope not, but in all seriousness, Sepultura was a huge part of my youth and still is to this day. Their 1989 album, Beneath the Remains, was the  first extreme metal album I ever heard, Arise (1991) was a permanent fixture in my tape deck, venting my frustrations during my teenage years, and I lost count of how many copies of Chaos A.D. (1993) I’ve had to buy from wearing it out.

And it’s not only the Max Cavalera Sepultura era I’ve been a fan of. I’ve closely followed the band since Derrick Green became vocalist in 1997, and was particularly a fan of 2006’s concept album Dante XXI.

So long story short:Getting to chat with Andreas Kisser for nearly 30 minutes was a huge deal for me. In one of our longer and more in-depth interviews on Live-Metal.net, Kisser talked with about the history of Sepultura, all the way from Bestial Devastation (1985) to their 2011 album, Kairos, which many are calling the band’s best since Chaos A.D. He defends the current formation of the band and gives his honest opinion on Max Cavalera’s post-Sepultura bands, Soulfly and Cavalera Conspiracy. (more…)

Max Cavalera: "Fulfilling the Prophecy"

Max Cavalera: “Fulfilling the Prophecy”

If there was ever a prophecy written that one man would arise from Brazil to lead two bands into the metal promised land, then Max Cavalera has fulfilled it.

Not to take anything away from Soulfly, but I’ll always remember Max Cavalera as the guitarist/frontman for the Brazilian metal band Sepultura. Beneath the Remains was one of the first death metal records I ever heard, and I became a huge fan of the band. During their long run, thanks to albums like Arise and Chaos A.D., Sepultura became one of the most popular and well-known metal acts of the ’90s. Of course, all good things must end, so after the groundbreaking Roots album, Max had a controversial split from Sepultura and then formed his new primitive, tribal-metal-machine, Soulfly. In 1997, Soulfly picked up where Roots left off and Max has since traveled the world for music and inspiration, taking the aggression and tribal world fusion to all new territories over the course of six Soulfly releases. The last two Soulfly albums have seen even more of a return to Max’s thrash metal roots, and as Soulfly VII is in its early stages of development, fans expect heavier still.

During a fall 2009 tour with Cattle Decapitation and Prong, Live-Metal.net’s Jeff Maki boarded Soulfly’s tour bus at the Recher Theatre in Towson, Md., for an interview with Cavalera. Max talks about his metal legacy, the history of Sepultura and Soulfly, and his other projects, Nailbomb and Cavalera Conspiracy. (more…)

album-chaosadOne can make the argument that any of the Max Cavalera-fronted Sepultura releases (1984-1996) are now heralded as classics.

Beneath the Remains (1989) was the Brazilian band’s first major breakthrough, a lethal combination of raw and primitive thrash and death metal. Arise (1991) was more straightforward death metal—faster, heavier and even more bleak. But 1993’s Chaos A.D. is the band’s pinnacle album of their career. (more…)